Everyone loves a good comeback, or a story about the kid who got pushed around when he was younger but eventually gets his revenge, or the cautionary tale about the guy who lost it all to drugs and drink and somehow turned it around. Lucky for us, with My Damage, the autobiography of Keith Morris, we get all three.
My favorite type of non-fiction books are of the ‘Why do us crazy humans do the things we do?’ variety. Any time I go on tour there’s usually a stack of them in my bunk. Some of the best in this genre are Driven: How Nature Shapes Our Choices, by Paul R. Lawrence and Nitin Nohria, The Demon Haunted World by Carl Sagan, and Man’s Search for Meaning, by Victor E. Frankl, among countless others. Greg Graffin, Bad Religion frontman and college professor has been asking and answering that question on stage and in classrooms for better than 30 years.
X is a sacred band for me. The first concert I ever went to was when they opened for Devo at the Long Beach Arena and I probably saw them more than any other band during my impressionable adolescent years. I bought their debut album Los Angeles when it came out and have purchased everything they’ve put out ever since. Some of my favorite show memories are watching them play at the Country Club in Reseda on Sherman Way pressed up against the stage hanging on their every word. More poetic and accomplished musically than many of their peers, an X show made you convinced that you were witnessing a true original American band. They were punk rock angst mixed with country western pathos and rockabilly roots. They couldn’t have happened anywhere else.
Anyone who knows the history of Black Flag knows about Spot. The legendary South Bay lensman had a brief tenure as bass player in the band but went on to produce most of their earlier E.P.s and helped build the legendary Media Arts studio where most of their seminal tracks were put to tape. He then began taking photos professionally of the local surf, skate and music scene in the late 70s and early 80s for beach newspaper the Easy Reader. His photo collection, Sounds of Two Eyes Opening – Southern California Life: Skate/Beach/Punk 1969-1982 displays his considerable talents with convincing proof.